The
TKTS ticket centre in New YorkÕs Times Square was designed to replace an
existing structure. The boothÕs main function was to sell discounted theatre
tickets and had to accommodate up to 3,000 people queuing to buy tickets
at one time.
The building, essentially sited on a traffic island, had to have an identity
that was immediately recognisable, but also be a natural part of one of
the most physically and visually busy landmarks in the world. The buildingÕs
architectural coherence stems from there being only two main elements. An
orthogonally organised ground level and in contrast an organic screen at
the upper level, both clearly executing their own functions. At ground level
a series of translucent and transparent booths dispense the tickets; at
the head of each sales booth is a coloured digital display indicative of
where and when customers can move through. A thin wire mesh envelopes the
lower level to assist crowd control, security and add an additional see-through
skin to the already layered architectural language of the building. At the
upper level are administrative galleries surrounded by an undulating mechanical
curtain which is perhaps the element that characterises the structure. The
curtain is a chameleon, constructed with a series of electronically operated
triangular fins. These fins rotate in echelon allowing either a constant
or varied form of display. The first facet has a digitally controlled lighting
matrix allowing information to be spelt out in light. The second facet is
a painterly band of cobalt blue, allowing partial or total relief and contrast
to the visual cacophony of Times Square. The third facet may contain dedicated
advertising or it might be a mirrored surface, reflecting its surroundings
and by doing so disappear. This changing ribbon allows the building to be
contrastingly assertive one moment to clearly informative the next, or simply
be absorbed by its surroundings. |
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